Maria Henrique is transfigured and reconfigured again and again, under the dominion of Luíza de Jesus who owns her; she is condemned on the way to the gallows, while being attenuated (burned with red-hot tongs), a lost face without an identifiable expression, but not only.
The MAP project is an idea that arises from the desire to document the paths of art in Portugal and for that it dismisses academics and critics and uses artists, usually relegated to extras in artistic criticism.
The Personal History of David Copperfield (2019), is yet another cinematic version of that Dickens work, but it can, in many ways, remain as “The” cinematic version of this work.
O apartamento é velho e pelo ar de abandono adivinha-se que não terá voltado a ser aberto após a morte da anterior inquilina, quatro anos antes. Tudo parece manter-se como ficara nesse dia.
Hélène Planquelle gives us strong images, in oil, in dry tones; drawings in charcoal, where the black reigns, images loaded with a symbology that transports us to a dreamlike plane, to an alcove or a nightmare. Paintings and drawings of almost palpable volume of Renaissance sculpture; with a pictorial, almost impressionistic touch.